The Sunsets on Mars are Blue is also an electroacoustic work focusing on the idea of coexisting contradictions. Composer DM R samples NASA’s recordings of the dry, mechanical yet violent sounds on Mars and contrasts them with field recordings of protests, chants, and Neo-Colombian Folk songs during Colombia’s unrest between 2019 to 2021.
“The use of these snippets emphasizes the vastness of disparity,” DM R said. “The blue sunset consumes the red planet into darkness. One may interpret it as hope or as an apocalyptic nightmare.”
Watch the live premiere performance here:
youtu.be/z2tYSfhXopw?t=460
from
Yarn/Wire Currents Vol. 7,
released December 9, 2022
russell greenberg and sae hashimoto (2), percussion; Laura barger and ning yu, pianos & keyboards
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A native of Bogota, DM R is an electroacoustic music composer based in New York City. Having its footholds in post spectral, ambient, pop culture, Colombian folk, and Rock en Español, her music has been presented by artists such as the International Contemporary Ensemble, Yarn Wire, Alarm Will Sound, ECCE Ensemble, counter)induction, Boston Musica Viva, Berrow Duo, Eric Drescher, and Josh Modney at venues like the BANFF Centre for the Arts and Creativity, the DiMenna Center for Classical Music, the Goethe Institut in Boston, Americas Society, University of North Colorado, the Coral Gables Museum, Boston Conservatory, and the New England Conservatory. Her recent projects include a septet commissioned by the Goethe Institut for Sound Icon and Winsor Music for their “Beethoven Goes Modern” project, and an evening-length work for the New York-based trio Sputter Box commissioned by the Fromm Foundation at Harvard University, as well as a multimedia piece for TAK ensemble and Joy Guidry, a string duo for andPlay, and a solo piece for and violinist Austin Wulliman.
DM R, currently pursuing a doctorate at Columbia University, is a teaching fellow at the Computer Music Center. She teaches composition lessons at Montclair State University and Kaufman Center’s Face the Music.